:The condition, resulting in a howling noise, when sound from a loudspeader is fed back into the microphone:
FEEDBACK AND NOISE, VOICES AND DISCOURSE ON THE STATE OF NEW WORK
HowlRound is the Journal of the Center for the Theater Commons at Emerson College. We build knowledge platforms and align resources for theater artists and organizations. We aggregate theater knowledge worth sharing, and hope our contribution widens the gates of opportunity for more relevant models for theater making in the 21st Century.
HowlRound welcomes feedback at any volume.
CURRENT KNOWLEDGE PLATFORMS:
A journal (in-depth articles, way more edited)
A blog (responsive thoughts, way less edited)
The commons (a public square for shared and shareable resources, curated but never edited)
#NEWPLAY TV (a place to watch, curated but never edited)
NEW PLAY MAP (a place to locate yourself, never curated and never edited)
Research (selected studies, not curated or edited)
Happenings (mostly online, sometimes in person, and always social)
WHO WE ARE
Founder and tall guy: David Dower. Twitter / Email
Journal editor, tattoo lover, and director: Polly K. Carl. Twitter / Email
Blog poster, mapmaker, associate director: Jamie Gahlon. Twitter / Email
#NEWPLAY TV guru, mapmaker, associate director: Vijay Mathew. Twitter / Email
Copy editor, title maker: Lynette D’Amico. Email
Cool producing fellow: Kevin Becerra. Twitter / Email
Cool producing fellow: Erin Washington. Twitter / Email
Journal Editorial Board
Jeremy Cohen, Producing Artistic Director, the Playwrights’ Center
Deborah Cullinan, Executive Director, Intersection for the Arts
Daniel Alexander Jones, playwright, performance artist, professor Fordham University
Ed Sobel, Associate Artistic Director, Arden Theatre
Ecological and Cooperative web hosting by
GAIA Host Collective
Blog
Why Every Working Mother (Parent) Needs a Stage Manager by Elyzabeth Gregory Wilder
Playwright Elyzabeth Gregory Wilder returns to the Alabama Shakespeare Festival’s Southern Writers’ Project with a new play and a new kid. Follow Elyzabeth in part two of this three part series (find part one here) as she tries to balance rewrites and rehearsals with the challenges of being a working mom on
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Tlaloc Rivas: In Search of the Artistic Home
Jamie Gahlon has asked theater artists from around the country to talk about their personal search for an artistic home. Tlaloc Rivas continues this series. What makes an artistic home? An artistic home is a place where there are opportunities for community-building and for cross-cultural dialogue. There is also the
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Keep the Drama on the Stage by Elyzabeth Gregory Wilder
Playwright Elyzabeth Gregory Wilder returns to the Alabama Shakespeare Festival’s Southern Writers’ Project with a new play and a new kid. Follow Elyzabeth in this three part series as she tries to balance rewrites and rehearsals with the challenges of being a working mom on the road. I always try
READ MORE
READ MORE BLOG POSTS
Hot Convos
Comments By Jen L.
Love this! READ MORE
Why Every Working Mother (Parent) Needs a Stage Manager by Elyzabeth Gregory Wilder
Comments By Bill Hirschman
Speaking as a critic, it would take me more time than I have right this READ MORE
To Read or Not To Read: The Gamble of Being Reviewed
Comments By Jeremy M. Barker
I'm seconding (or thirding) some of skepticism here being expressed at READ MORE
Getting Here by Vincent Delaney
#NEWPLAY ON TWITTER
RT @gwydions: Interesting dissection of art/community/engagement: http://t.co/EsXdoDKD #2amt #newplay (h/t @RGinDC)
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