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SHOUTING OUT TO HOWLROUND 

HowlRound is a journal, a blog, and a gateway to the theater commons. We invite your correspondence and contributions!

IDEAS for ARTICLES or BLOGS or RESEARCH or CONTRIBUTIONS to the  THEATER COMMONS email us at

editor (at) howlround.com —for journal and blog posts and research ideas

newplaytv (at) howlround.com —for interest in producing livestreaming events for #NEWPLAY TV found at http://newplaytv.info

newplaymap (at) howlround.com —for questions about how to put yourself or your theater on the map at http://newplaymap.org or for how to get the source code to make your own map and contribute to this open source project.

GENERAL INQUIRY GUIDELINES

HowlRound will not consider unsolicited submissions or articles or blog posts, but will accept queries and pitches. In fact, most of our articles come from queries and pitches so please INQUIRE! But do not send scripts, or poetry, or fiction because we wouldn’t know what to do if you did.

  • Please include a brief bio with your query.
  • Queries should be brief, just like the bio. Send a 150 words (or less) synopsis.
  • Due to the high volume of correspondence we receive, please allow up to 30. days for a reply to any queries. Longer if we’re busy. All submissions are subject to editing. (Let’s just be honest, we’ll definitely edit!)

 

COMMENTS, SUGGESTIONS, or PROBLEMS REGARDING the WEBSITE CAN BE POSTED over here

HOWLROUND COMMENTS POLICY

All comments on the site are moderated. Most comments will be posted if they are on topic and not mean, but moderating decisions is subjective. Because of the volume of readers comments, we cannot review individual moderation decisions with readers and generally cannot alter a comment once it is posted.

Sometimes we will delete a mean posting, but not always. We have limited tolerance for personal attacks, incoherence, and SHOUTING.

You have a better chance of getting away with a controversial comment if you use your real name.

We welcome feedback at any volume.



Blog

Why Every Working Mother (Parent) Needs a Stage Manager by Elyzabeth Gregory Wilder

Playwright Elyzabeth Gregory Wilder returns to the Alabama Shakespeare Festival’s Southern Writers’ Project with a new play and a new kid. Follow Elyzabeth in part two of this three part series (find part one here) as she tries to balance rewrites and rehearsals with the challenges of being a working mom on
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Tlaloc Rivas: In Search of the Artistic Home
BY Tlaloc Rivas | May 15, 2012 | No Comments

Jamie Gahlon has asked theater artists from around the country to talk about their personal search for an artistic home. Tlaloc Rivas continues this series. What makes an artistic home? An artistic home is a place where there are opportunities for community-building and for cross-cultural dialogue. There is also the
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Keep the Drama on the Stage by Elyzabeth Gregory Wilder

Playwright Elyzabeth Gregory Wilder returns to the Alabama Shakespeare Festival’s Southern Writers’ Project with a new play and a new kid. Follow Elyzabeth in this three part series as she tries to balance rewrites and rehearsals with the challenges of being a working mom on the road. I always try
READ MORE

READ MORE BLOG POSTS

Hot Convos

    Comments By Carol S. Lashof

    PS Jill McClean, a Scottish playwright. Saw her play "Any Given Day" at READ MORE

    In Defense of Supporting Work by Women: Thoughts from a Loud Mouthed Feminist Theater Girl by Meghan Arnette

      Comments By Carol S. Lashof

      I am joining this conversation a bit late after hearing about it at the READ MORE

      In Defense of Supporting Work by Women: Thoughts from a Loud Mouthed Feminist Theater Girl by Meghan Arnette