SHOUTING OUT TO HOWLROUND
HowlRound is a journal, a blog, and a gateway to the theater commons. We invite your correspondence and contributions!
IDEAS for ARTICLES or BLOGS or RESEARCH or CONTRIBUTIONS to the THEATER COMMONS email us at
editor (at) howlround.com —for journal and blog posts and research ideas
newplaytv (at) howlround.com —for interest in producing livestreaming events for #NEWPLAY TV found at http://newplaytv.info
newplaymap (at) howlround.com —for questions about how to put yourself or your theater on the map at http://newplaymap.org or for how to get the source code to make your own map and contribute to this open source project.
GENERAL INQUIRY GUIDELINES
HowlRound will not consider unsolicited submissions or articles or blog posts, but will accept queries and pitches. In fact, most of our articles come from queries and pitches so please INQUIRE! But do not send scripts, or poetry, or fiction because we wouldn’t know what to do if you did.
- Please include a brief bio with your query.
- Queries should be brief, just like the bio. Send a 150 words (or less) synopsis.
- Due to the high volume of correspondence we receive, please allow up to 30. days for a reply to any queries. Longer if we’re busy. All submissions are subject to editing. (Let’s just be honest, we’ll definitely edit!)
COMMENTS, SUGGESTIONS, or PROBLEMS REGARDING the WEBSITE CAN BE POSTED over here
HOWLROUND COMMENTS POLICY
All comments on the site are moderated. Most comments will be posted if they are on topic and not mean, but moderating decisions is subjective. Because of the volume of readers comments, we cannot review individual moderation decisions with readers and generally cannot alter a comment once it is posted.
Sometimes we will delete a mean posting, but not always. We have limited tolerance for personal attacks, incoherence, and SHOUTING.
You have a better chance of getting away with a controversial comment if you use your real name.
We welcome feedback at any volume.
Blog
Why Every Working Mother (Parent) Needs a Stage Manager by Elyzabeth Gregory Wilder
Playwright Elyzabeth Gregory Wilder returns to the Alabama Shakespeare Festival’s Southern Writers’ Project with a new play and a new kid. Follow Elyzabeth in part two of this three part series (find part one here) as she tries to balance rewrites and rehearsals with the challenges of being a working mom on
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Tlaloc Rivas: In Search of the Artistic Home
Jamie Gahlon has asked theater artists from around the country to talk about their personal search for an artistic home. Tlaloc Rivas continues this series. What makes an artistic home? An artistic home is a place where there are opportunities for community-building and for cross-cultural dialogue. There is also the
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Keep the Drama on the Stage by Elyzabeth Gregory Wilder
Playwright Elyzabeth Gregory Wilder returns to the Alabama Shakespeare Festival’s Southern Writers’ Project with a new play and a new kid. Follow Elyzabeth in this three part series as she tries to balance rewrites and rehearsals with the challenges of being a working mom on the road. I always try
READ MORE
READ MORE BLOG POSTS
Hot Convos
Comments By Carol S. Lashof
PS Jill McClean, a Scottish playwright. Saw her play "Any Given Day" at READ MORE
In Defense of Supporting Work by Women: Thoughts from a Loud Mouthed Feminist Theater Girl by Meghan Arnette
Comments By Carol S. Lashof
I am joining this conversation a bit late after hearing about it at the READ MORE
In Defense of Supporting Work by Women: Thoughts from a Loud Mouthed Feminist Theater Girl by Meghan Arnette
Comments By Jen L.
Love this! READ MORE
Why Every Working Mother (Parent) Needs a Stage Manager by Elyzabeth Gregory Wilder
#NEWPLAY ON TWITTER
Kristopher Frithjof Peterson about the @inkwelltheatre showcase process really interesting #newplay #2amt #dctheatre http://t.co/HEDZ6m3X
56 mins ago




