Interviews

In this episode, Rhiana Yazzie shares her journey of founding New Native Theatre and the importance of Indigenous storytelling. She reflects on the challenges and rewards of carving her own path in the theatre world, emphasizing the significance of staying true to one's cultural identity and values. Rhiana discusses the transformative power of art, community, and connection to the earth and invites listeners to support and engage with New Native Theatre's work.

In this episode, we delve into CJ's origin story, tracing her journey from pre-med student to theatre major and founder of Breaking Wave Theatre Company in Guam. Yura and CJ explore the transformative power of theatre as a healing space, the importance of community and accessibility, and the revolutionary potential of reimagining organizational structures. With passion and insight, we envision a future where storytelling and connection thrive.

As universities put more emphasis on collaboration, inclusion, and student buy-in, theatre departments address these issues in their season planning and casting. In this episode, Dr. Colleen Rua, interim associate director and assistant professor of theatre, dives deep into the practices that the School of Theatre and Dance the University of Florida has put in place in order to create a more equitable planning and casting process.   

In this episode, Nicole C. Limón shares her origin story, tracing back to pivotal moments of realizing her worth and breaking through societal invisibility in the theatre world. From co-founding Movimiento Molcajete to birthing Matriarchy Theatre, Nicole unveils her journey, embodying resilience and community care. Tune in to explore the transformative power of authenticity, the art of manifesting abundance, and the future of leadership in the evolving theatre industry. 

In this episode, Yura Sapi is joined by Conch Shell Productions founder, Magaly Colimon-Christopher as she shares her journey in establishing a global platform for Caribbean voices. Learn how Magaly navigates challenges and fosters collaboration to amplify underrepresented voices, and explore the transformative power of storytelling in shaping perceptions and fostering empathy on a global scale.

In this episode, Emma Bexell from Bombina Bombast, a performing arts company in Malmö, Sweden, takes us to the space of gamified society and theatre. Bombina Bombast combines documentary audio, gaming interface, and immersive installation in a Virtual Reality show where audience members can rest with insomniac Swedish gang members—all while criticizing the attention economy.

Disabled choreographer, dancer, designer, engineer, and founding member of Kinetic Light Laurel Lawson talks about performing aerially in a wheelchair, accessibility as its own artform rather than an add-on, and their app Audimance which includes haptic interpretation and sensory modulation.

In this episode we talk with the founding artistic director of Theater Mitu, Rubén Polendo, about the hope for the future that inspired Utopian Hotline—now traveling through space as part of the Golden Record. We also discuss the gore, myth, and puppet-robots with their own point of view in Jodorowsky-inspired Santa Sangre.

Annemarie Hagenaars is an astronomer, physicist, and actress. In this playful conversation with Tjaša, Annemarie speculates about Einstein's famous equations, love, and shares her own experiment that she conducted with her one woman show The Story of the Einstein Girl, where she performs the play four different ways and lets the audience choose.

This week, Tjaša speaks with Josh Corn, a true renaissance man. He uses technology to tell absurd and subversive stories about humanity. Josh built René—the most technologically advanced robotic arm from 2002, who had her own circus act. He also made Field Day Games where you can compete with groups over video call to spill, drop, break, crack, ignite, and burn machines in their studio. Everyone wins except Josh. He has to clean up.

Maud discusses monsters, and the “humanization process”: the idea that humanity asks of us to leave some part of the world at the door and opt in for a very specific, very small part of all that life has to offer. They also dissect the West’s capitalist need to reject the consciousness of inanimate objects in order to participate in the consumer culture.

In this episode, hosts Jordan Ealey and Leticia Ridley talk about a filmed production of the opera X: The Life and Times of Malcolm X.

In this episode, Tjaša chats with director Igor Golyak of Arlekin Players about the power of virtual theatre and the experience of using technology that had never before been used for live performance. And if you were wondering why there was a twelve-foot robotic arm on stage, serving coffee and sweeping the floor in The Orchard at Baryshnikov Center, Igor thinks that’s what Chekhov would have wanted.