I think there are still hundreds and hundreds of white plays and comparatively fewer plays by women and comparatively even fewer plays by women of color. And men of color write plays, too. So, yes, there’s work to do. There’s always going to be work to be done. While I’m happy about my experience with Stick Fly and happy for Katori and Suzan, I don’t want to let this moment set a self-congratulatory tone that lets us rest on our laurels.
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I began my career in the regional theater at a very young age, working in various capacities including actor, playwright, literary manager, director of new play development, and other roles, artistic and executive. Since seeing a regional production of Amlin Gray’s, How I Got That Story, in the early 1980s
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This is the first contribution to HowlRound’s City Series. Over the next few months we will explore the theater scene in cities from around the country. We’ve asked members of our editorial board to kick the series off, and they’ve asked artists from their cities to contribute articles and blog
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